upcoming performances and events

31 may 2016 three reversed movements, to bring destroyed objects back to life Ben Smith / City University London, UK
10 june 2016 L’art de toucher le clavecin, 2 (USP) Wet Ink / St. Peter’s Church, New York, NY
1 july 2016 Rückenfigur for tuba (pre-premiere presentation) Jack Adler-McKean / Hannover, Germany
3 august 2016 A general interrupter to ongoing activity Weston Olencki / Darmstadt Summer Courses, Germany
6 august 2016 Rückenfigur (WP) Jack Adler-McKean / Darmstadt Summer Courses, Germany
11 september 2016 A general interrupter to ongoing activity Weston Olencki / The Lilypad, Cambridge, MA
12 september 2016 dozens of canons: Anaïs Faivre Haumonté for cello Séverine Ballon / RMIT Gallery, Melbourne, Australia
13 september 2016 Wolke über Bäumen for baroque violin (WP) Karin Hellqvist / Ultima Festival, Oslo, Norway
29 september 2016 hyphen Peter Neville / RMIT Gallery, Melbourne, Australia
4 october 2016 Apostrophe 2 (pressing down on my sternum) ELISION / RMIT Gallery, Melbourne, Australia
8 october 2016 émoi Richard Craig / St. Giles’ Cathedral, Edinburgh, Scotland
17 october 2016 Three in, ad abundantiam (“solo e pensoso”) Accordant Commons / California State University, Long Beach
4 november 2016 Ground Brian Walsh (WasteLAnd) / ArtShare LA, Los Angeles, CA
5 november 2016 Rückenfigur (USP) Aaron Hynds / Bowling Green State University, Bowling Green, OH
9 november 2016 Rückenfigur Aaron Hynds / null point series, Hallwalls Contemporary Art Center, Buffalo, NY
10 november 2016 L’art de toucher le clavecin, 3 (USP) International Contemporary Ensemble / Abrons Art Center, New York, NY
13 november 2016 portrait concert: Apostrophe 1 (All communication is a form of complaint), A general interrupter to ongoing activity, Supplement, Largo calligrafico / “patientiam”, Rückenfigur (WP of version for euphonium) Ryan Muncy, Weston Olencki, Carlos Cordeiro, Vasko Dukovski / Spectrum, New York, NY
18 november 2016 Apostrophe 1 (All communication is a form of complaint) Carl Rosman and Richard Haynes / Bludenzer Tage zeitgemäßer Musik, Bludenz, Austria
21 november 2016 L’art de toucher le clavecin, 2 Sarah Saviet and Susanna Peters / Huddersfield Contemporary Music Festival, UK
25 november 2016 Apostrophe 2 (pressing down on my sternum) ELISION / Studio M, Novi Sad, Serbia
29 november 2016 Apostrophe 2 (pressing down on my sternum) ELISION / Hellerau, Dresden, Germany
8 january 2017 Wolke über Bäumen for baroque violin (USP) Sarah Saviet / Spectrum, New York, NY
9 january 2017 vray dieu d’amours / vray dieu d’amours Samuel Stoll / Gare du Nord, Basel, Switzerland
17 january 2017 thaes ofereode, thisses swa maeg (USP) T. J. Borden (vc) and Madison Greenstone (voice) / University of California, San Diego
19 january 2017 L’art de toucher le clavecin, 2 International Contemporary Ensemble (Alice Teyssier and Josh Modney) / Stanford University, Palo Alto, CA
9 february 2017 Rückenfigur Jack Adler-McKean / Waverly Project, New York University, New York, NY
10 february 2017 Rückenfigur Jack Adler-McKean / Spectrum, New York, NY
16 february 2017 Wolke über Bäumen for baroque violin (UKP) Sarah Saviet (Riot Ensemble) / Brixton East 1871, London, UK
21 february 2017 Rückenfigur Jack Adler-McKean / Lilypad, Cambridge, MA
25 february 2017 L’art de toucher le clavecin, 3 International Contemporary Ensemble / Brown University, Providence, RI
10 december 2017 Supplement Heather Roche / Cafe Oto, London, UK
may 2018 measurement as contrition (WP) BBC Scottish Symphony Orchestra (cond. Ilan Volkov) / Glasgow City Halls, Scotland, UK