“ … almost implausible eloquence … ”

— The Wire

“The language of new music as a branch of the culture industry takes for granted what ‘dust book’ undertakes to work out in tiny steps: the possibility of musical experience under the present conditions […] This awareness could be the basis of a new music.”

— neue musikzeitung

“His music has an indescribable kind of magic, an almost sacred affect … a profound and enchanting aesthetic experience.”

— Tempo: A Quarterly Review of New Music

“Delicacy. Fragility. Tenderness, even. But all these uncanny. Touching but untouchable. Elsewhere.

Each work is decidedly itself, individual, while all plainly come from the same place, the same elsewhere. Each is lacking in rhetoric, having other business than to tell us, even, why it exists.”

— Paul Griffiths

“Among the most interesting and gifted composers of his generation”

— Tempo: A Quarterly Review of New Music

“[conjures] a Beckett-like eloquence from stammers and silences”

— Ivan Hewitt, The Telegraph

“[creates] genuine magic … music [which] will be with us for a very long time”

— Tim Rutherford-Johnson, The Rambler